THE HISTORY OF PAINTING REVISITED
  • Painters
    • A-B >
      • Sofonisba Anguissola
      • Tarsila do Amaral
      • Alice Bailly
      • Susie M. Barstow
      • Marie Bashkirtseff
      • Vanessa Bell
      • Marie-Guillemine Benoist
      • Rosa Bonheur
      • Romaine Brooks
    • C-F >
      • Rosalba Carriera
      • Mary Cassatt
      • Angel de Cora
      • Marie Ellenrieder
      • Lavinia Fontana
      • Helene Maria Funke
    • G-H >
      • Artemisia Gentileschi
      • Jacoba van Heemskerck
      • Sigrid Hjertén
      • Hannah Höch
      • Georgiana Houghton
    • K-L >
      • Angelika Kauffmann
      • Georgia O'Keeffe
      • Hilma af Klint
      • Laura Knight
      • Winifred Knights
      • Broncia Koller-Pinell
      • Herrad von Landsberg
      • Lotte Laserstein
      • Judith Leyster
      • Käthe Loewenthal
    • M-R >
      • Jeanne Mammen
      • Maria Sibylla Merian
      • Paula Modersohn Becker
      • Berthe Morisot
      • Marlow Moss
      • Marianne North
      • Ljubow Popowa
      • Marietta Robusti
    • S-T >
      • Charlotte Salomon
      • Lilly Martin Spencer
      • Florine Stettheimer
      • Anna Dorothea Therbusch
    • U-Z >
      • Elisabeth Vigée-Lebrun
      • Caterina de' Vigri
      • Susanne Wenger
      • Marianne von Werefkin
      • Julie Wolfthorn
      • Fahrelnissa Zeid
  • TIMELINE
    • 1900-1920 >
      • Lotte Laserstein
      • Charlotte Salomon
      • Susanne Wenger
      • Fahrelnissa Zeid
    • 1880-1900 >
      • Tarsila do Amaral
      • Sigrid Hjertén
      • Hannah Höch
      • Georgia O'Keeffe
      • Winifred Knights
      • Lotte Laserstein
      • Jeanne Mammen
      • Ljubow Popowa
    • 1870-1880 >
      • Alice Bailly
      • Vanessa Bell
      • Romaine Brooks
      • Angel de Cora
      • Jacoba van Heemskerck
      • Laura Knight
      • Käthe Loewenthal
      • Paula Modersohn Becker
      • Florine Stettheimer
    • 1850-1870 >
      • Marie Bashkirtseff
      • Helene Maria Funke
      • Hilma af Klint
      • Broncia Koller-Pinell
      • Marianne von Werefkin
      • Julie Wolfthorn
    • 1800-1850 >
      • Susie M. Barstow
      • Rosa Bonheur
      • Mary Cassatt
      • Georgiana Houghton
      • Berthe Morisot
      • Marlow Moss
      • Marianne North
      • Lilly Martin Spencer
    • 1700-1800 >
      • Marie Ellenrieder
      • Angelika Kauffmann
      • Anna Dorothea Therbusch
      • Elisabeth Vigée-Lebrun
    • 1600-1700 >
      • Marie-Guillemine Benoist
      • Rosalba Carriera
      • Judith Leyster
      • Maria Sibylla Merian
    • 1500-1600 >
      • Sofonisba Anguissola
      • Lavinia Fontana
      • Artemisia Gentileschi
      • Marietta Robusti
    • 1400-1500 >
      • Caterina de' Vigri
    • 1100-1200 >
      • Herrad von Landsberg
  • MAP
    • Austria >
      • Helene Maria Funke
      • Angelika Kauffmann
      • Broncia Koller-Pinell
      • Susanne Wenger
    • Brazil >
      • Tarsila do Amaral
    • France >
      • Marie-Guillemine Benoist
      • Rosa Bonheur
      • Berthe Morisot
      • Elisabeth Vigée-Lebrun
    • Germany >
      • Marie Ellenrieder
      • Hannah Höch
      • Lotte Laserstein
      • Herrad von Landsberg
      • Käthe Loewenthal
      • Jeanne Mammen
      • Maria Sibylla Merian
      • Paula Modersohn Becker
      • Charlotte Salomon
      • Anna Dorothea Therbusch
      • Julie Wolfthorn
    • Italy >
      • Sofonisba Anguissola
      • Rosalba Carriera
      • Lavinia Fontana
      • Artemisia Gentileschi
      • Marietta Robusti
      • Caterina de' Vigri
    • Russia >
      • Ljubow Popowa
      • Marianne von Werefkin
    • Switzerland >
      • Alice Bailly
    • Sweden >
      • Sigrid Hjertén
      • Hilma af Klint
    • The Netherlands >
      • Jacoba van Heemskerck
      • Judith Leyster
    • Turkey >
      • Fahrelnissa Zeid
    • Ukraine >
      • Marie Bashkirtseff
    • United Kingdom >
      • Vanessa Bell
      • Georgiana Houghton
      • Laura Knight
      • Winifred Knights
      • Marlow Moss
      • Marianne North
    • USA >
      • Susie M. Barstow
      • Romaine Brooks
      • Mary Cassatt
      • Georgia O'Keeffe
      • Lilly Martin Spencer
      • Florine Stettheimer
    • North America >
      • Angel de Cora
  • ABOUT
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      • KIT Kunst im Tunnel Düsseldorf
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      • National Museum of Women in the Arts Washington
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Marlow Moss

MARLOW MOSS  1889 - 1958



‘’Moss was one of Britain’s most important Constructivist artists a radical lesbian and Drag King. Moss was no copycat’’.

Marlow Moss was more or less considered [viewed] as a minor Mondrian imitator, although that is a really mean thing because she made her paintings the opposite way round to Mondrian, despite the visual similarities – and Mondrian loved her work.

Moss’s take on neo-plasticism is mathematically based, Mondrian’s is instinctual. Some people also suggest that Mondrian was influenced by her rather than vice versa.

Some artists criticized Mondrian for not giving Moss the credit for the invention of the double-line, and like so many women, Moss has been written out of art history.

We saw a show of hers in Leeds, UK, June 2014 recently, and simultaneously we were asked to show some work in a small exhibition next to Leeds City Art Gallery in a space called &Model.

The show at &Model was called ‘Conversations around Marlow Moss’, so we choose to install our ‘Savage School Lightbox’ – [3 metres] in the front window of the space with her name on it.

We were very saddened by the letters we read that were displayed in a vitrine in the show at Leeds City Art Gallery - from Marlow Moss to Ben Nicholson, who completely ignored them and refused her attempts to form dialogues with him or even have tea together.

This was despite living 15 miles apart from each other in Cornwall. Marlow Moss was also writing to Paul Vezelay at the time saying how ‘miserable’ the English Constructivists were and “we would conclude that no other Abstract Artist existed in the whole of Great Britain. …..   It’s pitiful.… “– she was clearly embarrassed by it all.

Despite her recent solo shows in UK – Moss has received no reviews on her work, whilst in Holland, where she has work in many collections, she has been the subject of a novel, a ballet and an opera about her life.

One of the reasons she stands out now is that unlike most of the artists working in Britain at the time, Moss had an untypical passion for European Modernism. 



Cullinan Richards  



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